Weird Fictions Research Group
Head: Dr. Agnieszka Kotwasińska Vice-head: Joanna Kaniewska
Weird Fictions Research Group emerged in early 2020 out of the W.E.I.R.D. Students’ Reading Group which was established in 2018 at the American Studies Center, the University of Warsaw.
Our research group invites students and early career researchers interested in all types of weird fictions.
If you enjoy weird fiction, SF, horror, and fantasy, our research group is a place for you! Join our discussions, movie screenings, seminars, guest lectures, and special events. We meet twice every month.
Our Fall 2018 schedule was devoted to questions of taste and paranoid reading, SF graphic novels, nostalgia and 80s animation. In the spring of 2019 we looked at cyber-punk and the posthuman. During Fall 2019 we discussed body horror in different cultural texts. In Spring 2020 we talked about hybridity, monstrosity and transgression in SFF/horror/the weird and in Fall we organized a series of meetings called “EcoGothic Landscapes.” In Spring 2021 we discussed monsters monsters, both old and new, as part of our “Monsters ReVisited” series. Academic year 2021/22 was devoted to SF in music and music in SF. We launched “Weird Music” and “Weird Music Vol. 2,” a series of talks and meetings about horror in music and music in horror. In March 2023, we launched “Mythos, Inc.”, a series of talks about Greek and Roman myths in contemporary American culture. The 2023/24 academic year was devoted in its entirety to “Weird Medicine” and biomedical imaginaries in American culture.
During the 2024/25 academic year, we’ll be looking into “Weird TV” on streaming platforms and on classic television, cultural representations of television, analog and/or VHS horror, nostalgic representations of 1980s/1990s TV cultures, and other TV-related weirdness.
OZN points
ASC students receive 3 OZN points for attending each meeting organized by the WFRG (2 OZN if the meeting’s online.)
If a student plans, organizes, and delivers a workshop/lecture as part of the WFRG, they complete the requirements to receive a grade of 5 for the OZN course.
In order to have the grade entered into USOS, the student must first present their OZN card to the WFRG Head for a written confirmation, and ask the WFRG director to send a message confirming the presentation to both the student and Dr. Usiekniewicz (OZN Coordinator). Secondly, the student needs to follow the steps outlined on the ASC’s OZN website section, i.e. submit all the following documents in one email addressed both to the OZN Coordinator, Dr. Marta Usiekniewicz (m.usiekniewicz@uw.edu.pl) and the Student Office represented by Aleksandra Gniadzik-Smolińska for students with names starting A-Ł (a.gniadzik-smolinska@uw.edu.
1. Scan of completed OZN card signed by the WFRG Head
2. Copy of the confirmation email sent by the WFRG Head
(further details on obtaining a grade for OZN are available on the ASC website: https://www.asc.uw.edu.pl/
Facebook page
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Events archive
Weird Medicine
Fall 2023/2024
- October 30, 2023
Joanna Kaniewska (independent researcher)
Weird Halloween: Normal Again? The Portrayal of Mental Health(Care) in Buffy the Vampire SlayerBetween Euterpe and Aurora: How the Greek Myths Live in Contemporary Music
- November 9, 2023
Laura Kremmel (Niagara University)
Scared Sick: Medicine and the Gothic Tradition - December 19, 2023
Agnieszka Kotwasińska (University of Warsaw)
Body in Ruins: Brandon Cronenberg’s Cinema of Exhaustion - January 23, 2024
Dominik Kędzierawski
A New Life: Memory, Identity, and Ethics of Mind Manipulation in To The Moon - January 25, 2024
Joachim Budny
New Technologies And Their Impact – From The Psychiatrist’s POV - February 28, 2024
Mateusz Skibiński
The (Im)perfect Body: Body Horror in the Magnus Archives - March 12, 2024
Jeanne Prevost
“I Want it Out!”: Gynaehorror & Pro-Life Narratives in Post-Roe v. Wade - March 19, 2024
Anna Maria Grzybowska
The Algernon-Gordon Effect: Rethinking Human-Animal Relationships - April 11, 2024
Kamila Klavia Bagińska
Pregnant with an Abject Fetus: Disruptiveness of the Patriarchal Order in “Rosemary’s Baby” and Halsey’s “If I Can’t Have Love, I Want Power” - April 29, 2024
Karolina Kowalska
I Settle for Nothing but the Best: Biomedicalization in the Mass Effect Franchise - May 20, 2024
Kamila Niewęgłowska
Magdalena Zych
Becoming Something Else: Death and Disease in Video Games - June 5, 2024
Emilia Głębocka
Dissecting Theater: Medical Horror on Stage - June 11, 2024
Agata Chełstowska
Biosocial Groups, Biosocial Criminals – the Body and Medicine as Organizing Agents
Mythos, Inc.
Spring 2022/2023
- March 30, 2023
Joanna Kaniewska (independent researcher)
Between Euterpe and Aurora: How the Greek Myths Live in Contemporary Music
- April 25, 2023
Bartłomiej Gąsiorek (University of Warsaw)
Blood, Guts, Quirks and Frames: Greek Myths in Video Games - May 9, 2023
Agnieszka Kotwasińska (University of Warsaw)
Call of the Deep: Mermaids in Film and Fiction - May 29, 2023
Agnieszka Kotwasińska (University of Warsaw)
Persephone & Demeter: A Workshop on “Lore Olympus”
Weird Music Vol. 2
Fall 2022/2023
- December 6, 2022
Joanna Kaniewska (University of Warsaw)
Witches in American Popular Music - January 25, 2023
Kamila and Jakub Sobczak (Pracownia Kraska)
Pieśni Grozy: Straszne, mordercze i tajemnicze polskie pieśni ludowe
Weird Music
Fall—Spring 2021/2022
- November 3, 2021
Tracey M. Salisbury (California State University)
Play This Only At Night: Hip Hop, Horror, and Afrofuturism - November 17, 2021
Jakub Guziński (University of Warsaw)
“I Guess This Is My Dissertation”: A Hip Hop Music Video Workshop - December 19, 2021
Joanna Kaniewska (University of Warsaw)
Cyborgs, Transhumans, and Posthumans in the Popular Music of 2010s - January 26, 2022
Colin Walder (CD Projekt RED)
In Conversation with CD Projekt Red: Audio in Cyberpunk 2077
- March 16, 2022
Joanna Kaniewska (University of Warsaw)
Reading Movie Soundtracks: A Workshop - May 18, 2022
Nicholas C. Laudadio (University of North Carolina Wilmington)
Oscillations: On Electronic Music and Science Fiction - June 8, 2022
Joanna Kaniewska (University of Warsaw)
Agnieszka Kotwasińska (University of Warsaw)
Sounds of Dune(s): Music-landscaping in Cinema
Monsters ReVisited
Spring 2020/2021
- May 24, 2021
Stefan “Steve” Rabitsch (University of Graz/University of Warsaw)
“There be whales here!”: Star Trekkin’ White Leviathans round the Moons of Nibia with Captain Ahab - May 11, 2021
Sorcha Ní Fhlainn (Manchester Metropolitan University)
‘Knowledge is a Fatal Thing:’ Confessing Vampire Secrets from Polidori to Neil Jordan - April 13, 2021
Katarzyna Bielicka (University of Warsaw)
Ze wszystkich istot nadprzyrodzonych najszkodliwszy.Wilkołaki w słowiańskim folklorze - March 29, 2021
Patrycja Pichnicka-Trivedi (University of Warsaw)
Customary Strangers: Double Mirroring of Otherness in Eastern-Western Vampire Narratives
EcoGothic Landscapes
Fall 2020/2021
- January 25, 2021
Jędrzej Burszta (University of Warsaw)
Weird Space Junkies: Speculations on the Psychedelic - January 18, 2021
Filip Peringer (University of Warsaw)
The Ur-Savage: The Anthropological Horror of Green Inferno and Bone Tomahawk - December 14, 2020
Beata Kubiak Ho-Chi (University of Warsaw)
Bliskie spotkania z istotami nie-ludzkimi we współczesnej literaturze japońskiej [In Polish] - December 1, 2020
Alison Sperling (Technische Universität Berlin)
Weird Fiction and Ecological Thought - November 23, 2020
Brittany A. Roberts (Southeastern Louisiana University)
Ecological Intimacies in the Anthropocene: Horror, Ethics, and the Shadow of Nonhuman Difference
The Day of the Hybrids
Spring 2019/2020
- June 5, 2020
Line Henriksen (IT University of Copenhagen)
Hybrids, monsters and unfinished texts: some stories for the anxious - June 5, 2020
Line Henriksen (IT University of Copenhagen)
Workshops: Writing Monsters - June 5, 2020
Karolina Żyniewicz & Kuba Piątkowski (University of Warsaw)
Warsztaty: KK1307 – przepis na hybrydę [In Polish]