Until 31st December, one can vote for a word or expression which, in their opinion, has great resonance for the year 2019. Słowo Roku 2019 (Word of the Year 2019) will be announced at the beginning of January by the UW linguists who organise the event.

What Polish word has attracted a great deal of interest over the last 12 months? Everyone is invited to either choose a word or expression from the list posted on the website http://sloworoku.uw.edu.pl/ or submit own proposals.

The candidates for the Word of the Year might be nouns, adjectives, verbs, etc. However, organisers will not accept surnames, proper names of people, places and institutions.

The poll is organised for the 9th time. The winner of the last edition is “konstytucja” (constitution).

This year proposals include, e.g. “klimat” (climate), “nauczyciel” (teacher), and “strajk” (strike), “wybory” (elections), “nienawiść (hatered), “hulajnoga” (scooter), and “równość” (equality).

Other countries such as the United Kingdom, Germany, France and the Czech Republic also choose their word of the year. Recently, the editors of “Oxford English Dictionary” have named “climate emergency” as its 2019 Word of the Year. Collins Dictionary, for example, picked “climate strike” as its word.

UW linguists are among a panel of experts who choose the word. The panel includes: Prof. Jerzy Bartmiński (Maria Curie Sklodowska University in Lublin), Prof. Jerzy Bralczyk (the University of Warsaw), Prof. Katarzyna Kłosińska (the University of Warsaw), Prof. Ewa Kołodziejek (the University of Szczecin), Prof. Marek Łaziński (the University of Warsaw), Prof. Andrzej Markowski (the University of Warsaw), Prof. Jan Miodek (the University of Wrocław), Prof. Renata Przybylska (the Jagiellonian University, Cracow) and Prof. Halina Zgółkowa (Adam Mickiewicz University in Poznań).

News

Changes in Dr. Gajda-Łaszewska’s office hours schedule

June 26, 2024

Dr. Gajda-Łaszewska will be available in the office on Tuesday (2 July 2024), 1:30-3:30 pm and online (ZOOM) on Thursday (4 July 2024), 12:00-2:00 pm.

June 17-18: Polish-language conference „Jak uczyć o płci i seksualności? Interdyscyplinarność, instytucjonalizacja, zaangażowanie społeczne.”

June 17, 2024

Konferencja „Jak uczyć o płci i seksualności? Interdyscyplinarność, instytucjonalizacja, zaangażowanie społeczne” ma na celu stworzenie przestrzeni, w której mogą się spotkać społeczności akademickie, aktywistyczne, artystyczne, eksperckie tworzące i przekazujące wiedzę o płci i seksualności. Jaka mogłaby być dziś edukacja seksualna? Gdzie jest miejsce na feministyczny i queerowy aktywizm w akademii? Czy słowem kluczowym jest „równość” czy „nierówności”? Czy potrafimy wspólnie wyobrazić sobie studia magisterskie o płci i seksualności w Polsce? Zapraszamy na 6 paneli dyskusyjnych.

Year 2023/2024

June 11: Biosocial Groups, Biosocial Criminals – the Body and Medicine as Organizing Agents

June 11, 2024

Weird Fictions Research Group cordially invites you to the very last event this semester! The lecture will show how medical anthropology and cultural studies can shed light on medicine-related social and cultural phenomena.

Year 2023/2024

June 6: Marketing Barbie’s “Curvy New Body”: Mattel’s Fashionistas Line and its Legacy Brand Politics

June 6, 2024

We would like to invite you to an upcoming lecture given by a Fulbright Scholar, Doctor Rebecca C. Hains! During this lecture, you will have the pleasure of listening to Dr. Hains’s exploration of Barbie from the feminist perspective, the history of Barbie’s body type, and the feminist critique around it. The talk will also discuss the PR surrounding the “Curvy” Barbies’ release, a topic that has sparked many intense debates.

Year 2023/2024

June 5: Dissecting Theater: Medical Horror on Stage

June 5, 2024

Weird Fictions Research Group cordially invites you to a penultimate event this semester! We will discuss the ways in which medicine and theater are correlated and how medical horror stories can thrive on stage. We will explore the universal nature of theater by analyzing the sources of fear in Starkid’s The Guy Who Didn’t Like Musicals as well.