We are delighted to announce that next semester ASC will be hosting Professor Stephen J. Farnsworth as a Fulbright Distinguished Scholar. Prof. Farnsworth will teach a proseminar on presidential communication, an excellent choice for everyone interested in political communication and/or political science. He will also deliver a lecture on the state of presidential elections during the Spring 2024 ASC Colloquium Series.

Stephen J. Farnsworth is Professor of Political Science and International Affairs and Director of the Center for Leadership and Media Studies at the University of Mary Washington. Prof. Farnsworth is the author or co author of nine books on the presidency, the mass media, public opinion, and journalism. He also has received the Virginia Outstanding Faculty Award from the State Council of Higher Education for Virginia.

Year 2024/2025

10 Grudnia: Odmieńczość: Obywatelstwo Seksualne i Archiwum – Premiera Książki

November 25, 2024

Zapraszamy na dyskusję z udziałem prof. Tomasza Basiuka, prof. Agnieszki Kościańskiej i dra Jędrzeja Burszty, redaktorów książki “Odmieńczość: obywatelstwo seksualne i archiwum”, która ukaże się nakładem Wydawnictw Uniwersytetu Warszawskiego. Rozmowę poprowadzi dr Ludmiła Janion.

American Studies Colloquium Series

December 5: Reinventing the Past to Change the Future: Alt-History and Reactionary Futurity

November 25, 2024

This presentation examines “alt-history” as a mode of reactionary worldbuilding, with a focus on how far-right influencers use alternate histories to reshape public understandings of the past and galvanize political action. Through examples like Tucker Carlson’s Patriot Purge and Dinesh D’Souza’s Death of a Nation, the talk explores how reactionary narratives blend science fictional techniques with conspiracy fantasies to legitimize authoritarian politics. The discussion includes a genealogy of the right-wing myth of “liberal fascism,” tracing its evolution and role in contemporary ideological landscapes shaped by historical revisionism and speculative worldbuilding.

American Studies Colloquium Series

November 28: Soviet-Born Jewish Literature between North America and Germany

November 22, 2024

In this conversation, Stuart Taberner (University of Leeds) and Karolina Krasuska (University of Warsaw) will explore some of the parallels and contrasts between the experiences of Soviet Jews who migrated to Germany and the United States in successive waves since the 1960s. Specifically, they will examine the literary production of these cohorts of Soviet Jewish migrants, relating to arrival in the destination country, the reconfiguration of Jewish identity, gender, and Holocaust memory. Following a brief introduction to the historical, sociological, and literary context in Germany and the USA, Stuart and Karolina will engage in a discussion of key points of comparisons and difference.

Year 2024/2025

November 21: “House of Horrors: Familial Intimacies in Contemporary American Horror Fiction” Author’s Meeting

November 19, 2024

Join us on November 21, 2024 for an author’s meeting with Dr. Agnieszka Kotwasińska about her book “House of Horrors: Familial Intimacies in Contemporary American Horror Fiction” published last year by the University of Wales Press. Dr. Kotwasińska will be joined by Dr. Sorcha Ní Fhlainn, and the event will be moderated by Dr. Jędrzej Burszta.

Year 2024/2025

November 20: ‘A Plane out of Phase’ – The Dark Continuance of the Gothic 1980s

November 19, 2024

Weird Fictions Research Group invites you to join for a fantastic (no pun intended) lecture by our guest, Dr. Sorcha Ní Fhlainn from Manchester Metropolitan University! This lecture asks you to consider the dark return of the Gothic 1980s in contemporary culture. Drawing upon ideas and examples of sequelisation, IP branding, apparatus theory, YouTube video curation, nostalgic programming, weird TV, and music, and the confluence of such forms in streaming series including Stranger Things and the current media adoption of Dark MAGA, this lecture invites you to examine the toxicity of the rhetoric of restorative projections and to query its undervalued reflective nostalgia as imagined onscreen to reclaim the future from the precarious dark present.