Join us on November 21, 2024 for an author’s meeting with Dr. Agnieszka Kotwasińska about her book “House of Horrors: Familial Intimacies in Contemporary American Horror Fiction” published last year by the University of Wales Press. Dr. Kotwasińska will be joined by Dr. Sorcha Ní Fhlainn, and the event will be moderated by Dr. Jędrzej Burszta.

Thursday, November 21, 2024
16:45 PM

You can get 3 OZN points for participating in this event.

Where?

Dobra 55, room: 2.118
(the building features some mobility accommodations: ramp and lift)

What?

Dr. Kotwasińska’s monograph is a study of tumultuous transformations of kinship and intimate relationships in American horror fiction over the last three decades. Twelve contemporary novels (by ten women writers and two whose work has been identified as women’s fiction) are grouped into four main thematic clusters – haunted houses; monsters; vampires; and hauntings – but it is social scripts and concerns linked directly to intimacy and family life that structure the entire volume. By drawing attention to how the most intimate of all social relationships – the family – supports and replicates social hierarchies, exclusions, and struggles for dominance, the book problematizes the source of horror. Looking at horror narratives through the lens of familial intimacies allows Dr. Kotwasińska to rethink genre boundaries, question the efficacy of certain genre tropes, and consider the contribution of such diverse authors as Kathe Koja, Tananarive Due, Gwendolyn Kiste, Elizabeth Engstrom, Sara Gran, Jewelle Gomez and Caitlín R. Kiernan, among others. “House of Horrors: Familial Intimacies in Contemporary American Horror Fiction” proves that contemporary American horror by women writers (and folks whose output has been identified as women’s fiction) is not limited to sparkling vampires but is in fact a pulsating field bursting with genre-defying works spanning the last three decades.

Who?

Agnieszka Kotwasińska is Assistant Professor at the American Studies Center, the University of Warsaw. She holds two M.A. degrees from the Institute of English Studies and American Studies Center, the University of Warsaw. In 2017 she received her doctoral degree in literary studies from the University of Warsaw. Since 2012 she has been working at American Studies Center, where she offers courses in American literature, genre literature, horror cinema, and Gothic fiction. She specializes in Gothic and horror studies, gender studies and queer theory, and feminist new materialism(s). Her current research interests center on literary and film canon formation, embodiment in the so-called low genres, reproduction of death in horror cinema, weird fiction(s) and schizoanalysis. She has published articles in Somatechnics, Polish Journal of American Studies, and Humanities, among others, and chapters in Monsters: A Companion (2019), The Palgrave Handbook of Contemporary Gothic (2020), Diffractive Reading New Materialism, Theory, Critique (2021) and Fifty Key Figures in Cyberpunk Culture (2022). Her first monograph, House of Horrors: Familial Intimacies in Contemporary American Horror Fiction was published in 2023 by the University of Wales Press. Since 2016 Dr. Kotwasińska has been coordinating monthly FemTeoria workshops, and in 2020 she founded Weird Fictions Research Group, a student-oriented space for exploring and researching the fantastic.

Sorcha Ní Fhlainn is Reader/Associate Professor in Film Studies and American Studies, and a founding member of the Manchester Centre for Gothic Studies, at Manchester Metropolitan University. Ní Fhlainn has published widely in the fields of Gothic and Horror Studies and Popular Culture, specializing in monsters, subjectivity, and cultural history. She is the author of Postmodern Vampires: Film, Fiction and Popular Culture (Palgrave, 2019), winner of the 2020 Lord Ruthven Award from the International Association for the Fantastic in the Arts. Recent articles and book chapters include Neoliberal Horror in Joker, and the Retro-1980s in Stranger Things, and the books Twentieth-Century Gothic, co-edited with Bernice M. Murphy (Edinburgh University Press, 2022), Visions of the Vampire (British Library, 2020, co-edited with Xavier Aldana Reyes) and Clive Barker: Dark Imaginer (Manchester University Press, 2017). She is the series co-editor of Multiplexities: Popular Screen Cultures with Manchester University Press and has recently curated and edited special issues of the journals Gothic Studies (July 2022) and Horror Studies (December 2022). In 2023/24, as a Fellow of the Harry Ransom Centre at University of Texas at Austin, her current research project is on the long 1980s onscreen and its unwritten Gothic history. 

Jędrzej Burszta is a cultural studies scholar, ethnographer, Assistant Professor at the American Studies Center. Jędrzej Burszta received his M.A. degrees in cultural studies (Institute of Polish Culture, UW) and American studies (American Studies Center, UW). In 2019 he received his doctoral degree in cultural studies from the SWPS University in Warsaw for a dissertation examining the queer history of American science fiction literature. His research interests include American popular and alternative culture, speculative fiction, retrofuturism, queer studies, ethnography of memory. He has worked in research projects investigating queerness in Polish history and society. He is currently the PI in the NCN-funded research project “Psychedelic Culture in Poland: Practices and Discourses”. At the American Studies Center, he offers courses about popular culture, science fiction and fantasy, queer theory, cultural studies and anthropology, and is the co-coordinator of the American Studies Colloquium Series.

American Studies Colloquium Series

December 19: Between The Mundane and the Heroic: Vietnamese Presence in State Socialist Poland

December 16, 2024

We are delighted to invite you to the fifth lecture of the American Studies Colloquium Series in the 2024/2025 Fall semester! This talk will examine the depictions of the (North) Vietnamese as freedom fighters within the context of the state socialist public sphere and the everyday life of Vietnamese students in Poland across generations. From idealized wartime reportages to mixed-race couples, the Vietnamese presence was marked by a multifaceted experience of adaptation, challenges, opportunities, and dynamic, interactive bonds with Polish society. This history continues to exert a profound influence on the contemporary Vietnamese diaspora and Polish-Vietnamese relationships.

Year 2024/2025

December 18: The Trump Transition – What is New and What is Not

December 14, 2024

Leadership Research Groupis inviting all those who would like to put the Trump transition to a presidential scholarship context and better understand the Trump transition decisions, the prospects for the future in domestic and foreign policy areas they bring, and the impact that Trump leadership may have on the political scene in Washington to a talk followed by a Q&A session by Professor Stephen Farnsworth.

Year 2024/2025

December 17: We Want Change NOW! The Feminist Manifesto in Theory and Practice

December 13, 2024

During the workshop “We Want Change NOW! The Feminist Manifesto in Theory and Practice”, Aleksandra Julia Malinowska, a doctoral candidate at the University of Warsaw,will delve into the history of feminist manifestos and their pivotal role in the women’s movement in the United States. We’ll explore how activists of the second wave of feminism used grassroots publications to raise awareness, voice the demands of emerging women’s groups, and build communication networks between organizations spread across the country. Together, we’ll analyze the literary techniques that make the manifesto genre a powerful tool for inspiring activist mobilization beyond the pages of the text.

American Studies Colloquium Series

December 12: Technological Imaginaries and the Universal Ambitions of Silicon Valley

December 12, 2024

Drawing on her new book, Appropriate, Negotiate, Challenge: Activist imaginaries and the politics of digital technologies (University of California Press), in this talk Ferrari shows how these discourses, which she calls “technological imaginaries”, shape how we experience digital technologies. She discusses how, for the past 30 years, Silicon Valley tech actors have produced and popularized a specific way of thinking about digital technologies, which has become mainstream. This dominant technological imaginary brings together technocratic aspirations and populist justifications. While arising out of the peculiarities of Silicon Valley and of the American 1990s, this dominant imaginary has posited its universality by presenting its tenets as if they were global, unbiased, and equally suitable for everyone, everywhere. She argues that to really curb the socio-political influence of Big Tech companies we also need to understand, critique, and resist the power of their technological imaginary.

News

ASC Library has received funding from the Social Responsibility of Science

December 12, 2024

ASC Library has received funding from the Social Responsibility of Science (SON) program — “Support for Scientific Libraries,” implemented by the Ministry of Science and Higher Education.