The ASC’s Gender/Sexuality Research Group is proud to share the third (and final, for now) season of our very own podcast! “Oswoić gender,” hosted by Dr. Anna Kurowicka and Dr. Marta Usiekniewicz, aims to present research in gender and sexuality studies done at the University of Warsaw. 

In the eight-episode series we cover topics ranging from the intersection of medical anthropology and gender studies, animal studies and feminist theories as seen by the youngest gender studies researchers, genre literature studies, masculinities in Polish literature, gender and migration, diversity and equality strategies at the university, as well as the challenges of writing histories of problematic queer figures.

Find us in your favorite podcast app and subscribe to our podcast!

Each new episode will be released on Wednesday, announced on the ASC’s social media, and available on platforms including Spotify, Podcasters, Apple Podcasts, Pocket Casts, Google Podcasts, and YouTube. Episodes will be also published on the Gender/Sexuality Research Group’s dedicated website, which will be launched soon.

The aim of this (mostly) Polish language podcast is to acquaint listeners with the diversity of research conducted within gender and sexuality studies. In each episode we show how the issues of gender and sexuality are manifested in cultural and social life. We also promise a good dose of humor and recommendations, because what would a popular science podcast be without homework?

This season will feature a slew of informative and entertaining conversations with Julia Kubisa, Magdalena Radkowska-Walkowicz, and ASC’s own Przemysław Górecki, Aleksandra Malinowska, Anna Grzybowska. Season three includes three book club episodes with Agnieszka Kotwasińska, Karolina Krasuska, and Marta Usiekniewicz herself, who are talking about their new books. The final special episode of the season is an English-language conversation with Huw Lemmey and Ben Miller, author of “Bad Gays: A Homosexual History,” hosts of the Bad gays podcast, and keynote speakers at our upcoming student conference “Status quo/Status queer.”

The podcast was made possible by funding from the “Promotion of scientific research in the public domain” project under the Excellence Initiative Research University program at the University of Warsaw.

Julia Machnowska was responsible for the sound production and editing, while Magdalena Sowul provided the studio space and music.

News

Office hours of Dr. Gajda-Łaszewska during the exam session

January 28, 2025

Office hours during the exam session: Thursday, 30 January 2025, 12:30-14:00; Friday, 07 February 2025, 10:30-12:00. Online office hours remain the same.  No office hours in the week of 10-15 February 2025.

News

Dołącz do Akademii Młodych Polskich Innowatorów i wygraj płatny staż!

January 23, 2025

Chcesz wziąć udział w stażu w amerykańskiej firmie? Masz 18–26 lat? Interesujesz się przedsiębiorczością, mediami lub sprawami publicznymi? Chcesz zdobyć wiedzę i doświadczenie od ekspertów z USA i Polski, a także pracować nad innowacyjnym projektem, który odpowie na aktualne wyzwania gospodarcze i społeczne dla Polski? Jesteś z Warszawy lub jesteś gotowy/a dojeżdżać do stolicy na warsztaty i staż? Jeżeli na powyższe pytania odpowiedź brzmi TAK!, to dołącz do programu „Pathfinders of Tomorrow: Akademia Młodych Polskich Innowatorów”, który łączy młodych liderów z praktykami, by wspólnie tworzyć nowatorskie rozwiązania.

Year 2024/2025

January 23: „I’m weird. I’m a weirdo.” The Allure of Unhinged Teen Television Drama Series Riverdale (2017-2023)

January 20, 2025

Join us for the second Weird TV lecture in 2025! Teen TV programming by The CW Television Network in the last 20 years has been a wildly successful blend of soap opera, generational saga, crime, the paranormal, and erotica. This paper argues that the drama series Riverdale (2017-2023) is the last show of this kind due to its week-to-week broadcasting format, as well as its convoluted, absurd, weird, and addictive storytelling. In the span of 6 years and 7 seasons, Riverdale explored various themes and topics: serial killers, occultism, time traveling, parallel universes, superpowers, folk tales, witchcraft, and many, many more. On a purely visual level, the show does take its inspiration from the grand tradition of horror/thriller genre storytelling, BUT is it camp, pastiche, or pure kitsch? This paper attempts to situate Riverdale within a broader context of both cult cinema/TV, and teen film studies. Finally, Riverdale’s weirdness and ridiculousness would be nothing without the show’s internet discourse, fandom, and critical reception, which are part of this analysis.

Year 2024/2025

January 21: “Women Against the Law” – Screening and Discussion of Estado de Proibição!

January 20, 2025

Join us for our first 2025 event, “Women Against the Law” – Screening and discussion of Estado de Proibição!” The screening and discussion will be conducted by doctoral student Thany Sacnhes. Estado de Proibição shares the stories of women who break the law to care for their children and of those who have lost their children to state violence connected to drug prohibition. The film, created by Plataforma Brasileira de Política de Drogas in collaboration with Panamá Filmes and supported by the Open Society Foundations, was filmed in São Paulo, Recife, and Rio de Janeiro. It aims to raise public awareness of the consequences of drug prohibition, which affect both drug users and non-users. The documentary highlights the intersections between the social and therapeutic use of drugs and examines how prohibitionist policies lead to the criminalization of communities and increased police violence.

American Studies Colloquium Series

January 16: Painting in Total Darkness: Blindness as the Medium for Vision

January 16, 2025

We are delighted to invite you to the last lecture of the American Studies Colloquium Series in the 2024/2025 Fall semester! Touching on various processes, materials, histories, and methodologies of making, Stephen Proski’s lecture will show how blindness can function as a unique lens of perception, particularly as it relates to the expanded field of painting.