We are pleased to invite you to a “MEATing” with the author of “A Certain Hunger,” Chelsea G. Summers, at the ASC!

Friday, May 24, 2024
4 PM

Hosted by students participating in the Food Matters course, the MEATing will be an opportunity to discuss a work of entertaining if gory fiction described by a NYT reviewer as “One of the most uniquely fun and campily gory books in my recent memory.” If you enjoy a problematic protagonist, a satire on foodie culture, and detailed accounts of procuring and cooking human meat, then this is a session for you!

You can get 3 OZN points for participating in this event.

Where?

American Studies Center
Dobra 55, room 2.118
(The building features some mobility accommodations: ramp and lift)

What?

“A Certain Hunger” has the voice of a hard-boiled detective novel as if metaphor-happy Raymond Chandler handed the reins over to the sexed-up femme fatale and really let her fly.”
The New York Times

“A Certain Hunger” explores desire, power dynamics, and obsession through the story of Dorothy Daniels, who moves through the culinary world of New York City with brilliant humor and an unabashed pursuit of pleasure. It delves into themes of sexuality, agency, and the complexities of human relationships, while offering an exceptionally entertaining narrative. With a blend of dark humor and vivid imagery, Summers invites readers to contemplate the nature of hunger—whether it be for physical pleasure, intellectual stimulation, or emotional fulfillment.

Who?

Chelsea G. Summers is a freelance writer, cultural critic, and sex worker advocate known for her insightful commentary on sex, gender, and society. She has written extensively on topics such as sexuality, feminism, literature, and politics, often through a provocative lens. She is a former academic and professor with Ph.D. training in eighteenth-century British literature. She was a columnist for the now-defunct ADULT magazine, and her work has appeared in VICE, Fusion, Hazlitt, The New Republic, Racked, and The Guardian.

News

Changes in Dr. Gajda-Łaszewska’s office hours schedule

June 26, 2024

Dr. Gajda-Łaszewska will be available in the office on Tuesday (2 July 2024), 1:30-3:30 pm and online (ZOOM) on Thursday (4 July 2024), 12:00-2:00 pm.

June 17-18: Polish-language conference „Jak uczyć o płci i seksualności? Interdyscyplinarność, instytucjonalizacja, zaangażowanie społeczne.”

June 17, 2024

Konferencja „Jak uczyć o płci i seksualności? Interdyscyplinarność, instytucjonalizacja, zaangażowanie społeczne” ma na celu stworzenie przestrzeni, w której mogą się spotkać społeczności akademickie, aktywistyczne, artystyczne, eksperckie tworzące i przekazujące wiedzę o płci i seksualności. Jaka mogłaby być dziś edukacja seksualna? Gdzie jest miejsce na feministyczny i queerowy aktywizm w akademii? Czy słowem kluczowym jest „równość” czy „nierówności”? Czy potrafimy wspólnie wyobrazić sobie studia magisterskie o płci i seksualności w Polsce? Zapraszamy na 6 paneli dyskusyjnych.

Year 2023/2024

June 11: Biosocial Groups, Biosocial Criminals – the Body and Medicine as Organizing Agents

June 11, 2024

Weird Fictions Research Group cordially invites you to the very last event this semester! The lecture will show how medical anthropology and cultural studies can shed light on medicine-related social and cultural phenomena.

Year 2023/2024

June 6: Marketing Barbie’s “Curvy New Body”: Mattel’s Fashionistas Line and its Legacy Brand Politics

June 6, 2024

We would like to invite you to an upcoming lecture given by a Fulbright Scholar, Doctor Rebecca C. Hains! During this lecture, you will have the pleasure of listening to Dr. Hains’s exploration of Barbie from the feminist perspective, the history of Barbie’s body type, and the feminist critique around it. The talk will also discuss the PR surrounding the “Curvy” Barbies’ release, a topic that has sparked many intense debates.

Year 2023/2024

June 5: Dissecting Theater: Medical Horror on Stage

June 5, 2024

Weird Fictions Research Group cordially invites you to a penultimate event this semester! We will discuss the ways in which medicine and theater are correlated and how medical horror stories can thrive on stage. We will explore the universal nature of theater by analyzing the sources of fear in Starkid’s The Guy Who Didn’t Like Musicals as well.