We are pleased to invite you to the final lecture of the American Studies Colloquium Series in the 2023/2024 Spring semester!

Eveline Kilian
(Humboldt University of Berlin)

The Role of Different Media in Transgender Life Narratives: The Case of Kate Bornstein

Thursday, May 23, 2024
at 4:45 p.m.

You can get 3 OZN points for participating in this event.

Where?

Dobra 55, room 2.118
(the building features some mobility accommodations: ramp and lift)

What?

This paper focuses on Kate Bornstein, an American transgender activist, performer and writer. Their 1994 book entitled Gender Outlaw: On Men, Women and the Rest of Us is an autobiographical text that resists generic classification. Bornstein uses the term “transgendered style” to describe the collage-like form of the text, thereby linking the transgression of gender norms to the transgression of generic boundaries. Since then, a variety of further self-presentations have emerged, both in textual and digital forms and formats. I will explore the narrative and aesthetic features of Bornstein’s various ego documents and the selves they have produced, and I will reflect on the kind of subject that emerges from this ensemble of autobiographical practices as well as on the strategic purposes the various media fulfil with respect to intersubjective engagement and community building.

Who?

Eveline Kilian was Professor of English at Humboldt University of Berlin from 2006 until her retirement in 2024. Her major research areas are modernism and interwar literature, metropolitan cultures, life writing, trans/gender and queer studies, and she has published widely in these fields. She is currently Senior Researcher at HU Berlin, and the German PI of the binational research project Queer Theory in Transit: Reception, Translation, and Production of Queer Theory in Polish and German Contexts, which is headed by Tomasz Basiuk on the Polish side and brings together scholars from the HU Berlin and the University of Warsaw (funded by DFG and NCN, 2023-2026).

News

Changes in Dr. Gajda-Łaszewska’s office hours schedule

June 26, 2024

Dr. Gajda-Łaszewska will be available in the office on Tuesday (2 July 2024), 1:30-3:30 pm and online (ZOOM) on Thursday (4 July 2024), 12:00-2:00 pm.

June 17-18: Polish-language conference „Jak uczyć o płci i seksualności? Interdyscyplinarność, instytucjonalizacja, zaangażowanie społeczne.”

June 17, 2024

Konferencja „Jak uczyć o płci i seksualności? Interdyscyplinarność, instytucjonalizacja, zaangażowanie społeczne” ma na celu stworzenie przestrzeni, w której mogą się spotkać społeczności akademickie, aktywistyczne, artystyczne, eksperckie tworzące i przekazujące wiedzę o płci i seksualności. Jaka mogłaby być dziś edukacja seksualna? Gdzie jest miejsce na feministyczny i queerowy aktywizm w akademii? Czy słowem kluczowym jest „równość” czy „nierówności”? Czy potrafimy wspólnie wyobrazić sobie studia magisterskie o płci i seksualności w Polsce? Zapraszamy na 6 paneli dyskusyjnych.

Year 2023/2024

June 11: Biosocial Groups, Biosocial Criminals – the Body and Medicine as Organizing Agents

June 11, 2024

Weird Fictions Research Group cordially invites you to the very last event this semester! The lecture will show how medical anthropology and cultural studies can shed light on medicine-related social and cultural phenomena.

Year 2023/2024

June 6: Marketing Barbie’s “Curvy New Body”: Mattel’s Fashionistas Line and its Legacy Brand Politics

June 6, 2024

We would like to invite you to an upcoming lecture given by a Fulbright Scholar, Doctor Rebecca C. Hains! During this lecture, you will have the pleasure of listening to Dr. Hains’s exploration of Barbie from the feminist perspective, the history of Barbie’s body type, and the feminist critique around it. The talk will also discuss the PR surrounding the “Curvy” Barbies’ release, a topic that has sparked many intense debates.

Year 2023/2024

June 5: Dissecting Theater: Medical Horror on Stage

June 5, 2024

Weird Fictions Research Group cordially invites you to a penultimate event this semester! We will discuss the ways in which medicine and theater are correlated and how medical horror stories can thrive on stage. We will explore the universal nature of theater by analyzing the sources of fear in Starkid’s The Guy Who Didn’t Like Musicals as well.