ASC’s Gender/Sexuality Research Group is pleased to announce their first student conference

Gender/Sexuality Conference ASC

Monday, May 23, 2022
9:30 a.m. – 6 p.m.

American Studies Center
al. Niepodległości 22, Warsaw

All students and faculty are warmly invited to participate as audience! We have an exciting day planned, with a keynote by Dr. Richard Reitsma and four panels of student presentations, on everything from feminist theories to representation of trans characters on TV and challenging the norms of masculinity.

2 ONZ points will be granted for participating in each lecture and each panel.

Gender and sexuality studies are crucial fields in American studies because they provide important insight into social relations, political struggles, and cultural norms.

Gender and sexuality are constructed, which means they vary in different cultures and change over time. Research based on this assumption encourages critical reflection on norms of masculinity and femininity, gender and sexual hierarchies, processes of identity formation, as well as feminisms and LGBTQIA movements.

The aim of the conference is to create a platform for ASC’s MA and BA students to present their research projects, facilitate an exchange of inspiring ideas, and allow an opportunity to practice presentation skills.

Submissions are already closed. We are over the moon to receive so many great abstracts! All presenters will be invited to a free lunch during the conference and granted a grade of 5 for OZN! Still, all students and faculty are warmly invited to participate as audience!

 

Please get in touch with the organizers dr Ludmiła Janion and dr Anna Kurowicka at ascgenderconference@gmail.com if you have any questions!

The conference is funded by the Excellence Initiative Research University (IDUB) program at the University of Warsaw and the ASC.

News

Changes in Dr. Gajda-Łaszewska’s office hours schedule

June 26, 2024

Dr. Gajda-Łaszewska will be available in the office on Tuesday (2 July 2024), 1:30-3:30 pm and online (ZOOM) on Thursday (4 July 2024), 12:00-2:00 pm.

June 17-18: Polish-language conference „Jak uczyć o płci i seksualności? Interdyscyplinarność, instytucjonalizacja, zaangażowanie społeczne.”

June 17, 2024

Konferencja „Jak uczyć o płci i seksualności? Interdyscyplinarność, instytucjonalizacja, zaangażowanie społeczne” ma na celu stworzenie przestrzeni, w której mogą się spotkać społeczności akademickie, aktywistyczne, artystyczne, eksperckie tworzące i przekazujące wiedzę o płci i seksualności. Jaka mogłaby być dziś edukacja seksualna? Gdzie jest miejsce na feministyczny i queerowy aktywizm w akademii? Czy słowem kluczowym jest „równość” czy „nierówności”? Czy potrafimy wspólnie wyobrazić sobie studia magisterskie o płci i seksualności w Polsce? Zapraszamy na 6 paneli dyskusyjnych.

Year 2023/2024

June 11: Biosocial Groups, Biosocial Criminals – the Body and Medicine as Organizing Agents

June 11, 2024

Weird Fictions Research Group cordially invites you to the very last event this semester! The lecture will show how medical anthropology and cultural studies can shed light on medicine-related social and cultural phenomena.

Year 2023/2024

June 6: Marketing Barbie’s “Curvy New Body”: Mattel’s Fashionistas Line and its Legacy Brand Politics

June 6, 2024

We would like to invite you to an upcoming lecture given by a Fulbright Scholar, Doctor Rebecca C. Hains! During this lecture, you will have the pleasure of listening to Dr. Hains’s exploration of Barbie from the feminist perspective, the history of Barbie’s body type, and the feminist critique around it. The talk will also discuss the PR surrounding the “Curvy” Barbies’ release, a topic that has sparked many intense debates.

Year 2023/2024

June 5: Dissecting Theater: Medical Horror on Stage

June 5, 2024

Weird Fictions Research Group cordially invites you to a penultimate event this semester! We will discuss the ways in which medicine and theater are correlated and how medical horror stories can thrive on stage. We will explore the universal nature of theater by analyzing the sources of fear in Starkid’s The Guy Who Didn’t Like Musicals as well.