We are delighted to invite you to the opening lecture of the 2023/2024 Fall semester of the American Studies Colloquium Series:

Alison Schachter
(Vanderbilt University)

Lorraine Hansberry on Racism, Antisemitism, and Postwar American Intellectual Life

Monday, October 16, 2023
at 4:45 p.m.

You can get 3 OZN points for participating in this event.

Where?

Dobra 55, room 2.118
(the building features some mobility accommodations: ramp and lift)

What?

Sometime in the early 1960s, Lorraine Hansberry drafted an essay on the Eichmann trial, one that she never completed. Writing in the early 1960s, at a moment of anti-communist fervor that silenced both Black and Jewish radical thinkers, Hansberry understood antisemitism and anti-Black racism as an intertwined agenda of white supremacy that defined twentieth-century politics. These concerns also animated her 1964 play, (revived on Broadway this past year), The Sign in Sidney Brustein’s Window, which linked Nazism to American racism and the exploitation of women. The play illuminates how American intellectual life rested not only on acts of racial exclusion, but also on the subordination of women’s intellectual lives to men’s. Through readings of her essays and her play, I examine how Hansberry tackles the vexed legacy Nazism for American intellectual life in the 1960s by articulating a Black left feminist stance that seeks to imagine a place for black and women intellectuals at a moment in which both were stymied.

Who?

Allison Schachter is Professor of English and Jewish Studies at Vanderbilt University. She is the author of Diasporic Modernisms: Hebrew and Yiddish Literatures in the Twentieth Century (Oxford 2013) and Women Writing Jewish Modernity, 1919-1939 (Northwestern University Press, 2022), which was a finalist for a National Jewish Book Award. She is the co-translator, with Jordan Finkin of From the Jewish Provinces, Selected Stories of Fradl Shtok, which was awarded the 2022 MLA Fenia and Yaakov Leviant Memorial Prize in Yiddish Studies. She is currently working on a book about midcentury Jewish and African American women intellectuals.

News

Changes in Dr. Gajda-Łaszewska’s office hours schedule

June 26, 2024

Dr. Gajda-Łaszewska will be available in the office on Tuesday (2 July 2024), 1:30-3:30 pm and online (ZOOM) on Thursday (4 July 2024), 12:00-2:00 pm.

June 17-18: Polish-language conference „Jak uczyć o płci i seksualności? Interdyscyplinarność, instytucjonalizacja, zaangażowanie społeczne.”

June 17, 2024

Konferencja „Jak uczyć o płci i seksualności? Interdyscyplinarność, instytucjonalizacja, zaangażowanie społeczne” ma na celu stworzenie przestrzeni, w której mogą się spotkać społeczności akademickie, aktywistyczne, artystyczne, eksperckie tworzące i przekazujące wiedzę o płci i seksualności. Jaka mogłaby być dziś edukacja seksualna? Gdzie jest miejsce na feministyczny i queerowy aktywizm w akademii? Czy słowem kluczowym jest „równość” czy „nierówności”? Czy potrafimy wspólnie wyobrazić sobie studia magisterskie o płci i seksualności w Polsce? Zapraszamy na 6 paneli dyskusyjnych.

Year 2023/2024

June 11: Biosocial Groups, Biosocial Criminals – the Body and Medicine as Organizing Agents

June 11, 2024

Weird Fictions Research Group cordially invites you to the very last event this semester! The lecture will show how medical anthropology and cultural studies can shed light on medicine-related social and cultural phenomena.

Year 2023/2024

June 6: Marketing Barbie’s “Curvy New Body”: Mattel’s Fashionistas Line and its Legacy Brand Politics

June 6, 2024

We would like to invite you to an upcoming lecture given by a Fulbright Scholar, Doctor Rebecca C. Hains! During this lecture, you will have the pleasure of listening to Dr. Hains’s exploration of Barbie from the feminist perspective, the history of Barbie’s body type, and the feminist critique around it. The talk will also discuss the PR surrounding the “Curvy” Barbies’ release, a topic that has sparked many intense debates.

Year 2023/2024

June 5: Dissecting Theater: Medical Horror on Stage

June 5, 2024

Weird Fictions Research Group cordially invites you to a penultimate event this semester! We will discuss the ways in which medicine and theater are correlated and how medical horror stories can thrive on stage. We will explore the universal nature of theater by analyzing the sources of fear in Starkid’s The Guy Who Didn’t Like Musicals as well.