We are pleased to announce a guest lecture by
Prof. Heinz Ickstadt
Kennnedy Institut, Freie Universitat, Berlin

Backward Glance over the Much Traveled Road
of Postmodern Fiction


Thursday, October 10, 2019
at 4:00 p.m.

Where?

American Studies Center, room 116,
al. Niepodległości 22, Warsaw.

What?

The lecture will discuss the instability of the term “postmodernism” and the different shades of meaning it has gained from changing historical contexts as well as via the differing perspectives of a variety of disciplines. It will then go back to the period in which the label “postmodern” could be most suitably applied to a certain type of narrative from Donald Barthelme to Robert Coover, Thomas Pynchon and Don DeLillo. The death of postmodernism was announced by Ihab Hassan in 1993 but the term is not quite dead yet; it is still lingering on – as are the ‘masters of postmodernism’ who are struggling with a literary style they once were thought of representing.

Who?

Heinz Lckstadt

Heinz Ickstadt – Professor Emeritus in Kennedy Institut of  Freie Universität, Berlin, one of the most outstanding European Americanists of our time, specializing in the history of American culture and literature from the second half of the 19th century to the present. Author of many books and essays, including Der amerikanische Roman im 20. Jahrhundert: Transformation des Mimetischen (1998), Faces of Fiction: Essays on American Literature and Culture from the Jacksonian Period to Postmodernity (2001), and Aesthetic Innovation and the Democratic Principle: Essays on Twentieth-Century American Poetry and Fiction (2016). President of the European Association for American Studies in 1996-2000. Professor Ickstadt has been a longtime friend and supporter of a few generations of Polish Americanists, also cooperating as a teacher with the ASC faculty in Warsaw and Berlin.

News

Changes in Dr. Gajda-Łaszewska’s office hours schedule

June 26, 2024

Dr. Gajda-Łaszewska will be available in the office on Tuesday (2 July 2024), 1:30-3:30 pm and online (ZOOM) on Thursday (4 July 2024), 12:00-2:00 pm.

June 17-18: Polish-language conference „Jak uczyć o płci i seksualności? Interdyscyplinarność, instytucjonalizacja, zaangażowanie społeczne.”

June 17, 2024

Konferencja „Jak uczyć o płci i seksualności? Interdyscyplinarność, instytucjonalizacja, zaangażowanie społeczne” ma na celu stworzenie przestrzeni, w której mogą się spotkać społeczności akademickie, aktywistyczne, artystyczne, eksperckie tworzące i przekazujące wiedzę o płci i seksualności. Jaka mogłaby być dziś edukacja seksualna? Gdzie jest miejsce na feministyczny i queerowy aktywizm w akademii? Czy słowem kluczowym jest „równość” czy „nierówności”? Czy potrafimy wspólnie wyobrazić sobie studia magisterskie o płci i seksualności w Polsce? Zapraszamy na 6 paneli dyskusyjnych.

Year 2023/2024

June 11: Biosocial Groups, Biosocial Criminals – the Body and Medicine as Organizing Agents

June 11, 2024

Weird Fictions Research Group cordially invites you to the very last event this semester! The lecture will show how medical anthropology and cultural studies can shed light on medicine-related social and cultural phenomena.

Year 2023/2024

June 6: Marketing Barbie’s “Curvy New Body”: Mattel’s Fashionistas Line and its Legacy Brand Politics

June 6, 2024

We would like to invite you to an upcoming lecture given by a Fulbright Scholar, Doctor Rebecca C. Hains! During this lecture, you will have the pleasure of listening to Dr. Hains’s exploration of Barbie from the feminist perspective, the history of Barbie’s body type, and the feminist critique around it. The talk will also discuss the PR surrounding the “Curvy” Barbies’ release, a topic that has sparked many intense debates.

Year 2023/2024

June 5: Dissecting Theater: Medical Horror on Stage

June 5, 2024

Weird Fictions Research Group cordially invites you to a penultimate event this semester! We will discuss the ways in which medicine and theater are correlated and how medical horror stories can thrive on stage. We will explore the universal nature of theater by analyzing the sources of fear in Starkid’s The Guy Who Didn’t Like Musicals as well.