We are pleased to announce a presentation and a discussion on the book
by dr hab. Anna Sosnowska-Jordanowska
(Univeristy of Warsaw)

“Explaining Economic Backwardness. Post-1945 Polish Historians on Eastern Europe”
(Central European University Press 2019)

The guest speakers participating in the discussion will be:
prof. dr hab. Tomasz Zarycki (University of Warsaw)
prof. Józef Böröcz (Rutgers University)

Thursday, December 19, 2019
at 4:00pm

Refreshments will be served after the discussion.

 

Where?

American Studies Center, room 317,
al. Niepodległości 22, Warsaw.

 

What?

The book presents an exciting episode in the intellectual history of Europe: the vigorous debate among leading Polish historians on the sources of the economic development and non-development, including the origins of economic divisions within Europe. The monograph covers nearly fifty years of this debate between the publication of two pivotal works in 1947 and 1994.

Anna Sosnowska provides an insightful interpretation of how local and generational experience shaped the notions of post-1945 Polish historians about Eastern European backwardness, and how their debate influenced Western historical sociology, social theories of development and dependency in peripheral areas, and the image of Eastern Europe in Western, Marxist-inspired social science. Although created under the adverse conditions of state socialism and censorship, this body of scholarship had an important repercussion in international social science of the post-war period, contributing an emphasis on international comparisons, as well as a stress on social theory and explanations. Sosnowska’s analysis also helps to understand current differences that lead to conflicts between Europe’s richest and economically most developed core and its southern and eastern peripheries. The historians she studies also investigated analogies between paths in Eastern Europe and regions of West Africa, Latin America and East Asia.

More details can be found here.

Who?

Anna Sosnowska-Jordanowska is a sociologist and an associate professor at the American Studies Center. Her research focuses on the impact of migrations from Eastern Europe and other world’s peripheries on the American cities in the post-industrial era. She is an author of the books: “Zrozumieć zacofanie. Spory historyków o Europę Wschodnią (1947-1994)”, TRIO 2004 and “Polski Greenpoint a Nowy Jork. Gentryfikacja, stosunki etniczne i imigrancki rynek pracy na przełomie XX i XXI wieku”, Wydawnictwo Naukowe SCHOLAR 2016. She recently published Polish Female Immigrant Niche in Studia Migracyjne-Przegląd Polonijny 2017 and “Explaining Economic Backwardness. Post-1945 Polish Historians on Eastern Europe”, Central European University Press 2019.

Tomasz Zarycki is a sociologist and social geographer currently holding the position of the Director of Institute for Social Studies (University of Warsaw). He is specializing in sociology of politics, sociology of culture, sociology of knowledge, critical sociology and discourse analysis with particular focus on Polish and Eastern European societies. His books include “Ideologies of Eastness in Central and Eastern Europe” (Routledge, 2014), “Peryferie. Nowe ujęcia zależności centro–peryferyjnych” (Scholar, 2009), “Kapitał kulturowy. Inteligencja w Polsce i Rosji” (Wydawnictwa Uniwersytetu Warszawskiego 2008), “New Regional Identities and Strategic Essentialism. Case studies from Poland, Italy and Germany” (co-author, Münster: LIT Verlag, 2007), „Region jako kontekst zachowań politycznych”, (Scholar 2002). His articles appeared in such journals as Current Sociology, Communist and Post-Communist Studies, East European Politics and Societies, Europe-Asia Studies, GeoForum, Journal of Communist Studies and Transition Politics, Kultura i Społeczeństwo, Russian Education & Society, Theory and Society, and several others.

Józef Böröcz is a sociologist, currently Professor of Sociology at Rutgers University in New Jersey, USA. His interests include narrative and visual sociologies of historical experiences, politics and performing arts, knowledge and otherness, larg-scale (indeed global) transformations, and intersections of political economy, geopolitics, coloniality, ethics, aesthetics and power. He is the author of “The European Union and Global Social Change: A Critical Geopolitical Economic Analysis” (Routledge, UK, 2009, also published in Hungarian, Kalligram 2018), “Hasított fa: A világrendszerelmélettől a globális struktúraváltásokig” (l’Harmattan, 2017) “Leisure Migration: A Sociological Study on Tourism” (Pergamon Press, 1996), co-editor of and contributor to three collections: “El ultimo europeo: Imperialismo, xenofobia y derecha radical en la Unión Europea” (Madrid: La oveja roja, 2014) and “Empire’s New Clothes: Unveiling EU-Enlargement”, (published by the online journal Central Europe Review, 2001), “A New World Order? Global Transformation in the Late 20th Century” (Greenwood Press, 1995), and “Gender and Nation” (a Special Block in the journal East European Politics and Societies). His most recent journal publications include “Performing socialist Hungary in China: ‘modern, Magyar, European’.” Cold War History, 2018, 2 (April 30) and (with Mahua Sarkar): “The Unbearable Whiteness of the Polish Plumber and the Hungarian ‘Peacock Dance’ Around ‘Race’.” Slavic Review. 76, 2 (Summer 2017).

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Join us for the second Weird TV lecture in 2025! Immortality as a concept has existed since ancient times, but unlike then, the term nowadays is rarely connected to chasing eternal youth or extending one’s life indefinitely. The concept of immortality in contemporary popular culture, propagated often through TV shows for children and adolescents alike, is usually connected with superheroes and the supernatural in general. Portrayed mostly as invincibility or ability to sustain damage that would otherwise kill a regular human, the focus is put on the physical sides of this concept, rarely on the mental side of being immortal. Death, after all, awaits everyone in the end, it is ingrained into human culture. As a species, we are drawn as much to creating, as we are to destroying, including ourselves.

Year 2024/2025

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February 13, 2025

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Office hours during the exam session: Thursday, 30 January 2025, 12:30-14:00; Friday, 07 February 2025, 10:30-12:00. Online office hours remain the same.  No office hours in the week of 10-15 February 2025.

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Dołącz do Akademii Młodych Polskich Innowatorów i wygraj płatny staż!

January 23, 2025

Chcesz wziąć udział w stażu w amerykańskiej firmie? Masz 18–26 lat? Interesujesz się przedsiębiorczością, mediami lub sprawami publicznymi? Chcesz zdobyć wiedzę i doświadczenie od ekspertów z USA i Polski, a także pracować nad innowacyjnym projektem, który odpowie na aktualne wyzwania gospodarcze i społeczne dla Polski? Jesteś z Warszawy lub jesteś gotowy/a dojeżdżać do stolicy na warsztaty i staż? Jeżeli na powyższe pytania odpowiedź brzmi TAK!, to dołącz do programu „Pathfinders of Tomorrow: Akademia Młodych Polskich Innowatorów”, który łączy młodych liderów z praktykami, by wspólnie tworzyć nowatorskie rozwiązania.

Year 2024/2025

January 23: „I’m weird. I’m a weirdo.” The Allure of Unhinged Teen Television Drama Series Riverdale (2017-2023)

January 23, 2025

Join us for the second Weird TV lecture in 2025! Teen TV programming by The CW Television Network in the last 20 years has been a wildly successful blend of soap opera, generational saga, crime, the paranormal, and erotica. This paper argues that the drama series Riverdale (2017-2023) is the last show of this kind due to its week-to-week broadcasting format, as well as its convoluted, absurd, weird, and addictive storytelling. In the span of 6 years and 7 seasons, Riverdale explored various themes and topics: serial killers, occultism, time traveling, parallel universes, superpowers, folk tales, witchcraft, and many, many more. On a purely visual level, the show does take its inspiration from the grand tradition of horror/thriller genre storytelling, BUT is it camp, pastiche, or pure kitsch? This paper attempts to situate Riverdale within a broader context of both cult cinema/TV, and teen film studies. Finally, Riverdale’s weirdness and ridiculousness would be nothing without the show’s internet discourse, fandom, and critical reception, which are part of this analysis.