Pens in motion! The time to act is NOW!

Write more manifestos! Openly express your opposition to social inequality! We need a space for collective reflection on solutions to the crises we are currently facing, as well as for fantasizing about a better tomorrow!

December 17, 2024, 4:45 PM

You can earn 3 OZN points for attending this event

What?

During the workshop “We Want Change NOW! The Feminist Manifesto in Theory and Practice”, Aleksandra Julia Malinowska, a doctoral candidate at the University of Warsaw,will delve into the history of feminist manifestos and their pivotal role in the women’s movement in the United States. We’ll explore how activists of the second wave of feminism used grassroots publications to raise awareness, voice the demands of emerging women’s groups, and build communication networks between organizations spread across the country. Together, we’ll analyze the literary techniques that make the manifesto genre a powerful tool for inspiring activist mobilization beyond the pages of the text.

In the second part of the workshop, participants will create their own manifestos – individually or in groups – addressing issues that matter most to them.

Where and When?

December 17, 2024, 4:45 PM
Dobra 55, Room 0.257

What to bring? A sheet of paper, a pen, and most importantly, the drive to take action! If you’re missing anything, we’ll have you covered on-site.

Who can attend? The workshop is open to everyone – no prior experience needed. All you need is a desire to act, inspire, and change the world!

Workshop Agenda

● Introduction
Aleksandra Julia Malinowska will discuss the significance of writing manifestos in the American women’s movement and the ongoing radical potential of this practice.
● Group Work
Participants will explore selected feminist manifestos from the 1960s and 1970s, analyzing rhetorical strategies and genre conventions of these texts together.
● Creating Manifestos
Armed with insights into the unique characteristics and social impact of manifestos, participants will write their own texts addressing key social issues.
● Presenting Manifestos
Those who wish to share their work will have the opportunity to read their manifestos aloud.

Who?

Aleksandra Julia Malinowska (she/her) is a PhD candidate at the University of Warsaw whose research focuses on the women’s movement manifesto in the United States, contemporary and published during the second wave of feminism (1970s-1980s) and its rhetorical strategies. Her work combines academic perspectives with activism, seeking to reclaim stigmatized emotions such as anger as a political tool and a key element of the affective poetics of feminist manifestos. She is a graduate of the American Studies Center and one of the coordinators of the Student Chapter since its founding.

Year 2024/2025

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Join us for the second Weird TV lecture in 2025! Immortality as a concept has existed since ancient times, but unlike then, the term nowadays is rarely connected to chasing eternal youth or extending one’s life indefinitely. The concept of immortality in contemporary popular culture, propagated often through TV shows for children and adolescents alike, is usually connected with superheroes and the supernatural in general. Portrayed mostly as invincibility or ability to sustain damage that would otherwise kill a regular human, the focus is put on the physical sides of this concept, rarely on the mental side of being immortal. Death, after all, awaits everyone in the end, it is ingrained into human culture. As a species, we are drawn as much to creating, as we are to destroying, including ourselves.

Year 2024/2025

February 18: Solidarity in Struggle – A Conversation with Sarah Schulman

February 13, 2025

We invite you to a meeting with the author of “The Fantasy and Necessity of Solidarity,” Sarah Schulman, hosted by MA student at the ASC Julia Wajdziak. Together, we will look at the role of solidarity in contemporary activism, the challenges it faces, and the opportunities it creates for transnational alliances.

News

Office hours of Dr. Gajda-Łaszewska during the exam session

January 28, 2025

Office hours during the exam session: Thursday, 30 January 2025, 12:30-14:00; Friday, 07 February 2025, 10:30-12:00. Online office hours remain the same.  No office hours in the week of 10-15 February 2025.

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Dołącz do Akademii Młodych Polskich Innowatorów i wygraj płatny staż!

January 23, 2025

Chcesz wziąć udział w stażu w amerykańskiej firmie? Masz 18–26 lat? Interesujesz się przedsiębiorczością, mediami lub sprawami publicznymi? Chcesz zdobyć wiedzę i doświadczenie od ekspertów z USA i Polski, a także pracować nad innowacyjnym projektem, który odpowie na aktualne wyzwania gospodarcze i społeczne dla Polski? Jesteś z Warszawy lub jesteś gotowy/a dojeżdżać do stolicy na warsztaty i staż? Jeżeli na powyższe pytania odpowiedź brzmi TAK!, to dołącz do programu „Pathfinders of Tomorrow: Akademia Młodych Polskich Innowatorów”, który łączy młodych liderów z praktykami, by wspólnie tworzyć nowatorskie rozwiązania.

Year 2024/2025

January 23: „I’m weird. I’m a weirdo.” The Allure of Unhinged Teen Television Drama Series Riverdale (2017-2023)

January 23, 2025

Join us for the second Weird TV lecture in 2025! Teen TV programming by The CW Television Network in the last 20 years has been a wildly successful blend of soap opera, generational saga, crime, the paranormal, and erotica. This paper argues that the drama series Riverdale (2017-2023) is the last show of this kind due to its week-to-week broadcasting format, as well as its convoluted, absurd, weird, and addictive storytelling. In the span of 6 years and 7 seasons, Riverdale explored various themes and topics: serial killers, occultism, time traveling, parallel universes, superpowers, folk tales, witchcraft, and many, many more. On a purely visual level, the show does take its inspiration from the grand tradition of horror/thriller genre storytelling, BUT is it camp, pastiche, or pure kitsch? This paper attempts to situate Riverdale within a broader context of both cult cinema/TV, and teen film studies. Finally, Riverdale’s weirdness and ridiculousness would be nothing without the show’s internet discourse, fandom, and critical reception, which are part of this analysis.