Weird Fictions Research Group invites you to a talk by
Patrycja Pichnicka-Trivedi
(University of Warsaw)

Customary Strangers: Double Mirroring of Otherness in Eastern-Western Vampire Narratives

This event is a part of the Monsters ReVisited series organized by the Weird Fictions Research Group members and their invited guests.

Monday, March 29, 2021
at 5:00 p.m.

You can get 2 OZN points for participating in this event.

Where?

This is an online event. To attend, click the button below or enter https://us02web.zoom.us/j/81883977610 into your browser, and join the meeting.

What?

The Vampire serves as a perfect embodiment of the Other of all sorts: racial, sexual, ethnic, gender and class. Vampire Narrative shows an immanent and ever-present rule organizing society, the division into ‘us’ and ‘the Other’. The main objective of my research is to provide a comparative description of Vampire Narratives as collective fantasies about the radical otherness. I am examining flexible, but ever-present structures of the Vampire Narrative as models of the (late) modern socio-cultural relations, attitudes, ideologies and ways of organizing.

The most important part, and simultaneously the one usually neglected in analysis, is the structure of the narrative. I will thus use structural analysis as main methodology, supported by grounded theory with elements of feminist studies, Marxist studies, intersectional theories and others.
Examining Western Vampire Narrative (anglo- and francophone) in contrast and in the reflection of the non-Western narrative (on the example of Russian and Polish cases), I shall examine the process of building of global Otherness: an archipelago of gradual difference. In the non-Western countries Vampire narratives might be used to imitate the West, as a sign of (proto)colonial aspiration, as well as the embodiments of the discourse of resistance towards the sovereign global Western domination. Both imitation and resistance can be used to create non-Western own model of sovereignty towards their own Others, or to include those Others. National resistance toward global Western domination can oppress local marginalized groups, and reversely: emancipation of locally marginalized groups can be tangled in (proto)colonial imitation of the Western ways. Finally, resistance or imitation coexist in non-Western societies and depend on the ideological orientation.

The case of Eastern European Vampire Narratives is especially interesting for multiple reasons. Vampire figure was born in Slavian folklore (as upiór, upyr, vurdulak etc.). The figure was taken but the Western culture and gave birth to Western modern Narrative, expressing Western social views, particularly putting Eastern Europe as a domain of perfect Otherness. Eastern Europe, wanting to create modern fiction Vampire stories has had to (re)adapt the Vampire (indeed “vampire”, wampir, vampir etc. not upiór or vurdulak any more) Narrative from the West. The fact that this Narrative primarily served the purpose of othering the East (including Eastern Europe) made this adaptation doubly fascinating matter of studies, as a tool with which Eastern Europe tries to position itself in the global world, towards the West, as a representation of how the Eastern Europe sees itself, sees the West and sees itself as being seen by the West.

Who?

Patrycja Pichnicka-Trivedi is a graduate of Kolegium MISH, History of Art and Cultural Studies. Master’s Degree with Summa Cum Laude. Published in “Kultura popularna”, “Praktyka teoretyczna”, “Polish Journal of Political Science” and monographies. Participated in national and international conferences. Chosen as finalist in prof. Jerzy Buzek competition for Scientific Debut 2019. Writing thesis on the representations of Otherness in popular culture. Beside popular culture she is interested in intersectional studies, biomedical anthropology, posthuman studies and postcolonial studies.

News

Office hours of Dr. Gajda-Łaszewska during the exam session

January 28, 2025

Office hours during the exam session: Thursday, 30 January 2025, 12:30-14:00; Friday, 07 February 2025, 10:30-12:00. Online office hours remain the same.  No office hours in the week of 10-15 February 2025.

News

Dołącz do Akademii Młodych Polskich Innowatorów i wygraj płatny staż!

January 23, 2025

Chcesz wziąć udział w stażu w amerykańskiej firmie? Masz 18–26 lat? Interesujesz się przedsiębiorczością, mediami lub sprawami publicznymi? Chcesz zdobyć wiedzę i doświadczenie od ekspertów z USA i Polski, a także pracować nad innowacyjnym projektem, który odpowie na aktualne wyzwania gospodarcze i społeczne dla Polski? Jesteś z Warszawy lub jesteś gotowy/a dojeżdżać do stolicy na warsztaty i staż? Jeżeli na powyższe pytania odpowiedź brzmi TAK!, to dołącz do programu „Pathfinders of Tomorrow: Akademia Młodych Polskich Innowatorów”, który łączy młodych liderów z praktykami, by wspólnie tworzyć nowatorskie rozwiązania.

Year 2024/2025

January 23: „I’m weird. I’m a weirdo.” The Allure of Unhinged Teen Television Drama Series Riverdale (2017-2023)

January 20, 2025

Join us for the second Weird TV lecture in 2025! Teen TV programming by The CW Television Network in the last 20 years has been a wildly successful blend of soap opera, generational saga, crime, the paranormal, and erotica. This paper argues that the drama series Riverdale (2017-2023) is the last show of this kind due to its week-to-week broadcasting format, as well as its convoluted, absurd, weird, and addictive storytelling. In the span of 6 years and 7 seasons, Riverdale explored various themes and topics: serial killers, occultism, time traveling, parallel universes, superpowers, folk tales, witchcraft, and many, many more. On a purely visual level, the show does take its inspiration from the grand tradition of horror/thriller genre storytelling, BUT is it camp, pastiche, or pure kitsch? This paper attempts to situate Riverdale within a broader context of both cult cinema/TV, and teen film studies. Finally, Riverdale’s weirdness and ridiculousness would be nothing without the show’s internet discourse, fandom, and critical reception, which are part of this analysis.

Year 2024/2025

January 21: “Women Against the Law” – Screening and Discussion of Estado de Proibição!

January 20, 2025

Join us for our first 2025 event, “Women Against the Law” – Screening and discussion of Estado de Proibição!” The screening and discussion will be conducted by doctoral student Thany Sacnhes. Estado de Proibição shares the stories of women who break the law to care for their children and of those who have lost their children to state violence connected to drug prohibition. The film, created by Plataforma Brasileira de Política de Drogas in collaboration with Panamá Filmes and supported by the Open Society Foundations, was filmed in São Paulo, Recife, and Rio de Janeiro. It aims to raise public awareness of the consequences of drug prohibition, which affect both drug users and non-users. The documentary highlights the intersections between the social and therapeutic use of drugs and examines how prohibitionist policies lead to the criminalization of communities and increased police violence.

American Studies Colloquium Series

January 16: Painting in Total Darkness: Blindness as the Medium for Vision

January 16, 2025

We are delighted to invite you to the last lecture of the American Studies Colloquium Series in the 2024/2025 Fall semester! Touching on various processes, materials, histories, and methodologies of making, Stephen Proski’s lecture will show how blindness can function as a unique lens of perception, particularly as it relates to the expanded field of painting.