We rush to announce that Dr. Marta Usiekniewicz’s book Food, Consumption, and Masculinity in American Hardboiled Fiction has just been published by Palgrave Macmillan!

 

Food, Consumption, and Masculinity in American Hardboiled Fiction draws on three related bodies of knowledge: crime fiction criticism, masculinity studies, and the cultural analysis of food and consumption practices from a critical eating studies perspective. In particular, this book focuses on food as an analytical category in the study of tough masculinity as represented in American hardboiled fiction. Through an examination of six American novels: Dashiell Hammett’s The Maltese Falcon, Raymond Chandler’s The Big Sleep, Leigh Brackett’s No Good from a Corpse, Dorothy B. Hughes’s In a Lonely Place, Jim Thompson’s The Killer Inside Me, and Rex Stout’s Champagne for One, this book shows how these novels reflect the gradual process of redefining consumption and consumerism in America, which traditionally has been coded as feminine. Marta Usiekniewicz shows that food and eating also reflect power relations and larger social and economic structures connected to class, gender, geography, sexuality, and ability, to name just a few. (Palgrave 2023)

Food, Consumption, and Masculinity in American Hardboiled Fiction makes a highly original contribution to the literature on hard-boiled fiction and its figuration of masculinity. Focusing on the neglected area of food and consumption in this fiction, Usiekniewicz breaks new theoretical ground by analyzing the way in which hard-boiled masculinity is organized around dynamics of incorporation, excorporation, consumption, penetration, and control. She demonstrates that the fantasies of masculinity that shape this fiction are not merely about large scale social dynamics but about the way in which these dynamics play out on the level of bodily boundaries. A must read for crime fiction scholars.”

—Christopher Breu, Illinois State University

 

“Marta Usiekniewicz has written a book that leaves us all in her debt. Food, Consumption, and Masculinity in American Hardboiled Fiction renews and extends our understanding of the tough guys of hardboiled fiction by showing how their toughness is constituted by what and how they consume. Combining theoretical sophistication with clear and incisive readings of a wide range of texts, this book is essential reading for anyone with an interest in crime fiction, gender, and popular culture.”
—Prof. David Schmid, Department of English, University at Buffalo

News

Office hours of Dr. Gajda-Łaszewska during the exam session

January 28, 2025

Office hours during the exam session: Thursday, 30 January 2025, 12:30-14:00; Friday, 07 February 2025, 10:30-12:00. Online office hours remain the same.  No office hours in the week of 10-15 February 2025.

News

Dołącz do Akademii Młodych Polskich Innowatorów i wygraj płatny staż!

January 23, 2025

Chcesz wziąć udział w stażu w amerykańskiej firmie? Masz 18–26 lat? Interesujesz się przedsiębiorczością, mediami lub sprawami publicznymi? Chcesz zdobyć wiedzę i doświadczenie od ekspertów z USA i Polski, a także pracować nad innowacyjnym projektem, który odpowie na aktualne wyzwania gospodarcze i społeczne dla Polski? Jesteś z Warszawy lub jesteś gotowy/a dojeżdżać do stolicy na warsztaty i staż? Jeżeli na powyższe pytania odpowiedź brzmi TAK!, to dołącz do programu „Pathfinders of Tomorrow: Akademia Młodych Polskich Innowatorów”, który łączy młodych liderów z praktykami, by wspólnie tworzyć nowatorskie rozwiązania.

Year 2024/2025

January 23: „I’m weird. I’m a weirdo.” The Allure of Unhinged Teen Television Drama Series Riverdale (2017-2023)

January 20, 2025

Join us for the second Weird TV lecture in 2025! Teen TV programming by The CW Television Network in the last 20 years has been a wildly successful blend of soap opera, generational saga, crime, the paranormal, and erotica. This paper argues that the drama series Riverdale (2017-2023) is the last show of this kind due to its week-to-week broadcasting format, as well as its convoluted, absurd, weird, and addictive storytelling. In the span of 6 years and 7 seasons, Riverdale explored various themes and topics: serial killers, occultism, time traveling, parallel universes, superpowers, folk tales, witchcraft, and many, many more. On a purely visual level, the show does take its inspiration from the grand tradition of horror/thriller genre storytelling, BUT is it camp, pastiche, or pure kitsch? This paper attempts to situate Riverdale within a broader context of both cult cinema/TV, and teen film studies. Finally, Riverdale’s weirdness and ridiculousness would be nothing without the show’s internet discourse, fandom, and critical reception, which are part of this analysis.

Year 2024/2025

January 21: “Women Against the Law” – Screening and Discussion of Estado de Proibição!

January 20, 2025

Join us for our first 2025 event, “Women Against the Law” – Screening and discussion of Estado de Proibição!” The screening and discussion will be conducted by doctoral student Thany Sacnhes. Estado de Proibição shares the stories of women who break the law to care for their children and of those who have lost their children to state violence connected to drug prohibition. The film, created by Plataforma Brasileira de Política de Drogas in collaboration with Panamá Filmes and supported by the Open Society Foundations, was filmed in São Paulo, Recife, and Rio de Janeiro. It aims to raise public awareness of the consequences of drug prohibition, which affect both drug users and non-users. The documentary highlights the intersections between the social and therapeutic use of drugs and examines how prohibitionist policies lead to the criminalization of communities and increased police violence.

American Studies Colloquium Series

January 16: Painting in Total Darkness: Blindness as the Medium for Vision

January 16, 2025

We are delighted to invite you to the last lecture of the American Studies Colloquium Series in the 2024/2025 Fall semester! Touching on various processes, materials, histories, and methodologies of making, Stephen Proski’s lecture will show how blindness can function as a unique lens of perception, particularly as it relates to the expanded field of painting.