Join Weird Fictions Research Group for our second Mythos, Inc. meeting this semester.

Our group’s member, Bartłomiej Gąsiorek (University of Warsaw) will deliver a talk on “Blood, Guts, Quirks and Frames: Greek Myths in Video Games,” which we’ll be followed by a Q&A.

Tuesday, April 25, 2023
at 5:30 pm

You can get 2 OZN points for participating in this event.

Where?

This lecture will be streamed online. To attend, click the button below or enter https://uw-edu-pl.zoom.us/j/92145495289 into your browser, and join the meeting.

What?

Nearly three thousand years ago, in ancient Greece, mythological and semi-legendary reigned in people’s hearts: heroes, demi-gods, monsters and more. Nowadays, all these myths are still, if not more, popular. This lecture will take a look at how contemporary video games take inspiration from ancient myths, often giving in return not only better visuals, but new depth, new meaning, even whole new stories. Beginning in the gloom of ancient past, all through the decades of the 21st century, we will discuss such titles as The God of War series, Titan Quest, Zeus: Master of Olympus and Hades.

Who?

Bartłomiej Gąsiorek is a perpetually tired student at University of Warsaw. Currently in the second year at the American Studies Center. Some time ago, in a choice between running in a meadow from dusk till dawn and a student life of unremitting stress, he unwittingly opted for the latter. He joined the Weird Reasearch Group in 2021, at the start of his academic journey. In addition to video games and Greek mythology, his interests also include books: fiction literature, adventure, gothic horror and science fiction. He’s fond of Edgar Allan Poe’s works and most of Dracula’s adaptations. In his free time, he devotes himself to drawing and painting. He enjoys it as much as taking naps during lectures.

News

Changes in Dr. Gajda-Łaszewska’s office hours schedule

June 26, 2024

Dr. Gajda-Łaszewska will be available in the office on Tuesday (2 July 2024), 1:30-3:30 pm and online (ZOOM) on Thursday (4 July 2024), 12:00-2:00 pm.

June 17-18: Polish-language conference „Jak uczyć o płci i seksualności? Interdyscyplinarność, instytucjonalizacja, zaangażowanie społeczne.”

June 17, 2024

Konferencja „Jak uczyć o płci i seksualności? Interdyscyplinarność, instytucjonalizacja, zaangażowanie społeczne” ma na celu stworzenie przestrzeni, w której mogą się spotkać społeczności akademickie, aktywistyczne, artystyczne, eksperckie tworzące i przekazujące wiedzę o płci i seksualności. Jaka mogłaby być dziś edukacja seksualna? Gdzie jest miejsce na feministyczny i queerowy aktywizm w akademii? Czy słowem kluczowym jest „równość” czy „nierówności”? Czy potrafimy wspólnie wyobrazić sobie studia magisterskie o płci i seksualności w Polsce? Zapraszamy na 6 paneli dyskusyjnych.

Year 2023/2024

June 11: Biosocial Groups, Biosocial Criminals – the Body and Medicine as Organizing Agents

June 11, 2024

Weird Fictions Research Group cordially invites you to the very last event this semester! The lecture will show how medical anthropology and cultural studies can shed light on medicine-related social and cultural phenomena.

Year 2023/2024

June 6: Marketing Barbie’s “Curvy New Body”: Mattel’s Fashionistas Line and its Legacy Brand Politics

June 6, 2024

We would like to invite you to an upcoming lecture given by a Fulbright Scholar, Doctor Rebecca C. Hains! During this lecture, you will have the pleasure of listening to Dr. Hains’s exploration of Barbie from the feminist perspective, the history of Barbie’s body type, and the feminist critique around it. The talk will also discuss the PR surrounding the “Curvy” Barbies’ release, a topic that has sparked many intense debates.

Year 2023/2024

June 5: Dissecting Theater: Medical Horror on Stage

June 5, 2024

Weird Fictions Research Group cordially invites you to a penultimate event this semester! We will discuss the ways in which medicine and theater are correlated and how medical horror stories can thrive on stage. We will explore the universal nature of theater by analyzing the sources of fear in Starkid’s The Guy Who Didn’t Like Musicals as well.