Weird Fictions Research Group proudly invites you to the next “Weird Medicine” event!

Kamila Klavia Bagińska

Pregnant with an Abject Fetus: Disruptiveness of the Patriarchal Order in “Rosemary’s Baby” and Halsey’s “If I Can’t Have Love, I Want Power”

Tuesday, April 11, 2024
 5:15PM

You can get 3 OZN points for participating in this event.

Where?

Dobra 55, Room 2.118
(the building features some mobility accommodations: ramp and lift)

What?

Going against the blissful representation of pregnancy, the horror genre offers a multitude of tropes that show the “horrors of pregnancy.” My talk will focus on the theme of the dangerous fetus in two movies on monstrous gestation – Rosemary’s Baby (1968) and Halsey’s independent movie If I Can’t Have Love, I Want Power (2021). I argue that within the patriarchal model of society, once a woman gets pregnant, she is no longer treated as a person but just a body carrying the fetus.

Based on Julia Kristeva’s theory of abjection and Barbara Creed’s “monstrous feminine,” I will explain the relation between the abject fetus trope and the horrifying descriptions of female sexuality, which results in images like vagina dentata. My main focus here will be to underline the transgressions of a patriarchal “selfless mother” role.

Finally, I want to connect the dangerous fetus trope with the abortion rights debate. I claim that in horror pregnancy narratives the treatment of women as a “vessel” for the fetus diminishes the pregnant person’s role in society, thus gives the fetus more social power. What is at stake here is that the monstrosity of the fetus gives a choice to either comply with patriarchal standards of motherhood or reject it for the price of being treated as “dangerous” for the system.

Who?

Kamila Klavia Bagińska (she/her) graduated from the American Studies Center at the University of Warsaw and is currently an MA student at the ASC. She focuses on politics and gender in audiovisual culture, with particular attention to transgressive femininity and motherhood. Her undergraduate thesis, which she worked on during her semester at Freie Universität Berlin, examined the theme of “horror pregnancy” as a critique of the patriarchal societal order. She is also a co-founder of the Student Chapter of Gender/Sexuality Research Group at the University of Warsaw.

News

Office hours of Dr. Gajda-Łaszewska during the exam session

January 28, 2025

Office hours during the exam session: Thursday, 30 January 2025, 12:30-14:00; Friday, 07 February 2025, 10:30-12:00. Online office hours remain the same.  No office hours in the week of 10-15 February 2025.

News

Dołącz do Akademii Młodych Polskich Innowatorów i wygraj płatny staż!

January 23, 2025

Chcesz wziąć udział w stażu w amerykańskiej firmie? Masz 18–26 lat? Interesujesz się przedsiębiorczością, mediami lub sprawami publicznymi? Chcesz zdobyć wiedzę i doświadczenie od ekspertów z USA i Polski, a także pracować nad innowacyjnym projektem, który odpowie na aktualne wyzwania gospodarcze i społeczne dla Polski? Jesteś z Warszawy lub jesteś gotowy/a dojeżdżać do stolicy na warsztaty i staż? Jeżeli na powyższe pytania odpowiedź brzmi TAK!, to dołącz do programu „Pathfinders of Tomorrow: Akademia Młodych Polskich Innowatorów”, który łączy młodych liderów z praktykami, by wspólnie tworzyć nowatorskie rozwiązania.

Year 2024/2025

January 23: „I’m weird. I’m a weirdo.” The Allure of Unhinged Teen Television Drama Series Riverdale (2017-2023)

January 20, 2025

Join us for the second Weird TV lecture in 2025! Teen TV programming by The CW Television Network in the last 20 years has been a wildly successful blend of soap opera, generational saga, crime, the paranormal, and erotica. This paper argues that the drama series Riverdale (2017-2023) is the last show of this kind due to its week-to-week broadcasting format, as well as its convoluted, absurd, weird, and addictive storytelling. In the span of 6 years and 7 seasons, Riverdale explored various themes and topics: serial killers, occultism, time traveling, parallel universes, superpowers, folk tales, witchcraft, and many, many more. On a purely visual level, the show does take its inspiration from the grand tradition of horror/thriller genre storytelling, BUT is it camp, pastiche, or pure kitsch? This paper attempts to situate Riverdale within a broader context of both cult cinema/TV, and teen film studies. Finally, Riverdale’s weirdness and ridiculousness would be nothing without the show’s internet discourse, fandom, and critical reception, which are part of this analysis.

Year 2024/2025

January 21: “Women Against the Law” – Screening and Discussion of Estado de Proibição!

January 20, 2025

Join us for our first 2025 event, “Women Against the Law” – Screening and discussion of Estado de Proibição!” The screening and discussion will be conducted by doctoral student Thany Sacnhes. Estado de Proibição shares the stories of women who break the law to care for their children and of those who have lost their children to state violence connected to drug prohibition. The film, created by Plataforma Brasileira de Política de Drogas in collaboration with Panamá Filmes and supported by the Open Society Foundations, was filmed in São Paulo, Recife, and Rio de Janeiro. It aims to raise public awareness of the consequences of drug prohibition, which affect both drug users and non-users. The documentary highlights the intersections between the social and therapeutic use of drugs and examines how prohibitionist policies lead to the criminalization of communities and increased police violence.

American Studies Colloquium Series

January 16: Painting in Total Darkness: Blindness as the Medium for Vision

January 16, 2025

We are delighted to invite you to the last lecture of the American Studies Colloquium Series in the 2024/2025 Fall semester! Touching on various processes, materials, histories, and methodologies of making, Stephen Proski’s lecture will show how blindness can function as a unique lens of perception, particularly as it relates to the expanded field of painting.